2012 Harvest Blues Acoustic Room

acoustic-timetable

Steve James – Texas

Steve JamesJames plays a National steel guitar, mandolin, and the banjo, having become fixated, as an adolescent, on blues music. As a teenager in New York City, James listened to his father’s record collection, which included recordings from Lead Belly, Josh White, and Meade “Lux” Lewis. Following relocation to Tennessee, he met both Sam McGee and Furry Lewis. In 1977, he moved to San Antonio, Texas, and played along with various musicians including Bo Diddley, John P. Hammond and Dave Van Ronk.

Please visit Steve James website


**Due to a tour cancellation, we regret to inform you that Brooks Williams will not feature at this years’ festival. We apologise for any inconvenience caused.**

Brooks Williams – Statesboro Georgia USA


Marquise Knox

Marquise is an immediate crowd favorite.  His obvious talent along with his deep knowledge of the Blues and vast respect for his elders made it clear Marquise had something special.

Knox’s debut album MANCHILD was nominated for a Blues Music Award for Best New Artist Debut. The album was recorded when he was 16, in two nights, during an ice storm in a church with the world renowned Michael Burks and his band. There is even a song called Ice Storm on the album. The release received worldwide acclaim, including Living Blues’ Best Debut Artist Award and a Blues Music Award nomination for Best Debut Artist. Marquise then recorded a direct-to-disc album while in town for the next year’s Crossroads.

Marquise recently released his third album, Here I Am, once again recorded at the legendary Blue Heaven Studios in Salina, Kansas. It features Marquise and his band, with a little help from Wayne Sharp of Michael Burk’s band sitting in on B-3 and piano. Nine originals, and three reverent covers of Marquise’s favorite Muddy Waters tunes.

I think this excerpt from Here I Am’s liner notes says it best. “When you listen to Marquise – 19 years old when he recorded this title – you get the sense that this is what those masters must have sounded like as young men. Marquise’s blues are so transparent and bare. It’s so easy to feel his music as totally legitimate. That’s above all what makes it so appealing. That’s what makes Marquise Knox special. He’s the whole package. A throwback blues master on the rise. Anybody believe in reincarnation?”